Things That Make Me Smile No.163: Stormy Weather Tap

A mix of tap, gymnastics, and shadow work makes this black and white tap routine from Stormy Weather in 1943 by the Nicholas Brothers just fabulous.

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5 Interesting Links for 04-05-2019

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Ghost Stories (History)

What we consider traditional ghost stories sprang into existence during the Victorian Era. This article looks at what factors brought this about.
https://www.steampunkjournal.org/ghost-stories-victorian-literature/

Characters (Writing)

A look at the little-known history of the Rromani, and how author Penny Blake used those elements to develop characters with the focus on Amelia Manylentils in specific.
https://blakeandwight.com/2018/01/15/steampunk-gypsies-character-creation-amelia-manylentils/

Octopus (Language)

A detailed review of the etymology and logic behind the various pluralizations of the word octopus finds the most commonly accepted form to be a comfortable latecomer. (Via Cliff Winning)
https://www.grammarphobia.com/blog/2014/02/octopus.html

Innovation (Economics)

What one town in England has done to build something new when traditional opportunities are being starved by funding cuts. (Via David Bridger)
https://www.theguardian.com/commentisfree/2019/mar/06/brutal-cuts-fight-back-preston-dragons-den

Dragons (Art)

Reading Anne McCaffrey at an early age, an interest in mythology, and my father’s lovely stories about a dragon of his own creation all strove to make me fascinated with the creatures. Anne Stokes has some amazing dragon artwork on her website to entice any dragon fan along with a handful of other art categories to enjoy.
http://www.annestokes.com/index.html

Curve of Her Claw Twitter Sharable

Posted in Art, Music, Crafts, etc., Employment, History, Interesting Links, Language, Writing | 2 Comments

The Calderan Problem By Joseph R. Lallo

The Calderan Problem By Joseph R. LalloIt took me a bit to read the next in the Free Wrench series, but the book holds up to my love of the series, offering fun and laughter with a tinge of seriousness. I quickly slipped back into their world, recognizing crew and villains alike (though who could forget Lucius P. Alabaster?). I enjoyed both the logic behind the story events and glimpses at how things work in this world.

The series has been ramping up from personal challenges to world-shattering ones, and The Calderan Problem continues this pattern after a relaxed beginning. It starts with the crew separated into two sets, one at the new ichor well and the other, composed of all the crew except Gunner and Wink, are being welcomed and feted in Nita’s home.

There are some lovely moments in Calderan as an artistic people come face to face with the Coopers’ practicality. I appreciated how Lil and Coop didn’t change to meet their new circumstances, and yet as always, they found a place where they fit despite all expectations. There are also cultural clashes where the Rim culture is so different from Calderan that assumptions are problematic.

Nita fit into her old life about as comfortably as she ever had when they dropped her home last time. Her eagerness to get aboard the Wind Breaker to do repairs proves where her heart lies, in more ways than one as it turns out. I wasn’t sure where the book was headed with the main focus on diplomacy and trade with Calderan. The events at the well offered little clarity to draw me at first.

I shouldn’t have worried, though. Not only do things ramp up significantly as we hit the middle of the book, but everything in the beginning offers a foundation upon which the rest of the story rests. I was able to piece together a good bit of what was going on from the clues I hadn’t realized I’d been collecting, building my anticipation as I waited to see things unfold.

It’s a fast-paced adventure mixed with cultural clash mixed with navigating the complexity of relationships…so a true Free Wrench novel. The villains are split between the deep planner pulling strings from the background and the chaotic, bombastic certainty of Alabaster, giving insight along with entertainment. There were a few dark moments when I couldn’t see my way through for a bit, but the Wind Breaker crew holds true to the ability to overcome any obstacle…if by the skins of their teeth.

I very much enjoyed the snappy dialogue with its mix of undertones and overt ones whether Kent chastising Gunner’s quiet or Nita’s siblings trying to wake their sister up to what’s right in front of her face. Alabaster’s monologues are fascinating as well as they work out the various machinations afoot. And of course, I continue to love Wink, the ship’s aye-aye, who is dedicated, brave, and as Gunner would say, a clear member of the crew.

What wins me over every time is the positive attitude of the Wind Breaker crew even when faced with impossible odds. Whether it’s Gunner determined to reclaim a crew member or Mack confident he can turn a week’s journey into a matter of days, they don’t just expect success, they make it happen. And if one path doesn’t turn out as expected, they’re quick to adapt and find another.

It’s those characteristics that make Nita such a good addition to the crew and less than comfortable on her own homeland where everything takes years to come to fruition. She’s at her best when in a desperate scramble on the edge of disaster, and everyone else is better off with her in the mix.

If you haven’t given the series a try, you really should. It’s quick, fun entertainment with complex, layered characters who are dedicated to their paths, whether for good or evil.

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Stray Thoughts About Diversity

Image by <a href="https://pixabay.com/users/GDJ-1086657/?utm_source=link-attribution&utm_medium=referral&utm_campaign=image&utm_content=3322508">Gordon Johnson</a> from <a href="https://pixabay.com/?utm_source=link-attribution&utm_medium=referral&utm_campaign=image&utm_content=3322508">Pixabay</a>

Image by Gordon Johnson from Pixabay

The Fantasy/Sci-Fi Readers Lounge on Facebook is celebrating diversity this week, and the discussion sparked ideas I’d like to share.

I do not address diversity in my stories.

Now, before you react to my statement, let me clarify. Diversity is a politically charged and motivated topic. It’s a reflection of the worst in our societies and hope for the best. Diversity awareness overwhelms some and is never enough for others, often depending on where each falls in the representation scale.

No one is calling for an exact ratio in fiction/entertainment of different classes, races, abilities, cultures, gender identity, sexual orientation, or any other factor. At least not that I’ve heard. But many of our cultural groups are to some degree insular, and this leads to subconscious comfort and discomfort depending on how well the people you’re supposed to identify with reflect the reader/viewer. There are many people who rarely, or even never, see someone they can identify with easily while others are rarely pushed to see beyond their worldview.

This is a complex, nuanced concern that sets people against each other.

It’s also why I acknowledge I do not address diversity in my stories.

If you’ve had the chance to read my books and short stories, you might find the above statement confusing. My stories are not about diversity beyond economic strata, which is one of my favorite themes because of my influences. I have a mix of classes, races, and if you know my short works as well as novels, you’ll see people with many elements that set them apart or bring them together.

What I have is characters. They spring up often in whole cloth, and their traits come with them. I don’t look for a diverse element on purpose, but I grew up in a diverse community and have always found monocultures strange.

My stories are a reflection of my norm.

When I’ve lived in all-white communities and primarily Asian communities, or worked jobs that drew on a specific demographic rather than a scattered one, I’ve noticed the difference whether I blend in or stand out. I’m most comfortable in a mixed community because I find people fascinating, and the broader the culture base, the more I can learn from them…as long as we share languages, that is. Whether living in a Mandarin-speaking complex or hanging out with the deaf community, when I am unable to understand, I learn much less, but I can still observe.

This is why I don’t see myself writing diverse stories. I make no deliberate effort to do so. It’s not part of my worldview even when I understand the issue and often would prefer to be more conscious of the need. When I try to press the issue, though, it seems forced to me and draws away from the story rather than enhancing it. I haven’t learned how to balance this element as well as I would like yet.

Now, many of my characters do “fit the profile,” but they’re not there for a purpose. In The Steamship Chronicles, Henry depends on his housekeeper, a black woman he grew up with. Bessie is not there to represent the non-white community in England during the Victorian Era. She’s there because it’s what Henry’s family would have done when they met an intelligent young woman who wanted to expand her horizons through travel but lacked the opportunity. They offered her a job to keep an eye on their two boys as they traveled around Europe and Africa, even as far as India. When they returned to England, she chose to stay on with her adopted family rather than continue exploring.

Bessie (not her original name) takes care of Henry’s London house and his business when he’s in the country. I can’t remember if all the above even exists on the page, but it came with her when Henry returned from a late night patrol in Safe Haven (the prequel). He is welcomed home by a housemaid (at the time) who clearly had a deeper friendship with him than as a member of his staff. Her role grows in the second volume of the series, because when Henry needs help, there she is.

Also in The Steamship Chronicles, Hassan came to be through a sideways comment about steeping tea in Threats. On a trading ship, tea is an important staple in part because stored fresh water can go bad easily. Boiling it reduces the chances of illness running through the crew. Tea, though, has complex cultural significance and traditions. How you take your tea can set you apart, especially when sugar and milk are in short supply. Hassan likes his tea dark and bitter, something more common in areas with Moorish influence, while ships will pick up crew members based on reputation or desperation wherever they find themselves in need. Sure, the majority of the crew came from its home port in Dover, but Hassan is not the only member hailing from elsewhere. I don’t even know where everyone is from as I learn about them when they nudge their way into the main story. Otherwise, the cast grows too hard to remember even for me.

Seeds Among the Stars lives up to its name once training begins. Ceric is a colony founded by European stock because that’s who financed the original ship, but the Spacer Guild draws from all sources, ship and colony alike. This means many of the trainees may never have known anything more than their own culture and get a crash course in expanding their viewpoints. The population on Bazralen, which you’ll meet in Apprentice, came from the Middle East. Like Ceric, though for different reasons, it remained true to those genetic origins even as centuries on another planet influenced their evolution.

I’ve had cases where the focus on diversity in the greater context clashed with my approach of glancing around the room in my head and describing those I found there. An editor told me I couldn’t have a lesbian couple in an opening bar scene unless they had a reason for being there. They had a reason, but it was more to set the scene of a future where being gay was as expected as being straight than story relevant. Or rather, in the way my creative process works, they showed up sitting there. I considered what my subconscious was trying to convey after the editor told me they needed a purpose and realized that to be the right reason.

The above example is in a still unpublished short story, so I can’t point you to it to see for yourself, but the diversity in my shorter works is more flexible because it doesn’t need to match the world of a whole series unless it’s a series-related story. I try to stay true to the world of the story more than the conversation in our world, but very few genres/periods are as confined on the issue as you might think from the lack of representation. This is how I end up portraying a diverse cast without meaning to, and something to consider when faced with a singular portrayal. There has to be a reason for it.

Monocultures don’t occur naturally. They are driven by environment or philosophy when a more natural culture is influenced through trade and interbreeding. Just look at the latest discoveries about the Neanderthals for a solid example, or the influx of different skull shapes into the Eastern European genetic base.

Diversity is all around us, and where it isn’t? There’s something to explore.

I hope it’s clear what I meant by my initial statement. If it isn’t, I’m happy to answer your questions.

Meanwhile, what do you think about diversity? Do you find reading about people different than yourselves as fascinating as I do?

On a panel at BayCon (last year, I think), someone asked about writing female villains and how they would differ. My response came from cultures where women are given subordinate roles so I said female villains would be more vicious. They know how to go for the gut because they’ve been raised by society (even if their parents felt differently) to tend to others’ needs. Those who are not given the dominant roles cater to the rest as a matter of survival so need to understand more.

Cultural insight tends to travel in one direction unless deliberately sought out. While the main draw of diversity is seeing people that look like you, it has the secondary effect of opening minds to other cultures, positions, races, etc. This way everyone is more aware of the obstacles specific to each group rather than assuming shared traits exist because those assumptions have never been challenged.

Posted in Culture, Inspirations, Philosophy, Reading, World Building, Writing Process | Leave a comment

5 Interesting Links for 03-29-2019

Note: Videos may auto start with sound so be prepared.

Fantasy short story (Fiction)

This short story starts in the middle then jumps back, but it’s an intriguing look at expectations and how people can be manipulated. I say no more because it would spoil the story, but I enjoyed the read.
http://www.beneath-ceaseless-skies.com/stories/the-siret-mask/

Brand (Marketing)

Ever have trouble understanding what an author’s brand means in a concrete sense? This article provides a clear explanation of what a brand is and the many ways it needs to be expressed consistently.
https://www.thecreativepenn.com/2017/11/10/authentic-author-brand/

Jewelry (Steampunk)

A tutorial covering the philosophy behind steampunk jewelry along with tips for trying your hand at it.
https://jewelrymakingjournal.com/how-to-make-steampunk-jewelry/

Inspiration (Creativity)

I grew up on Fraggle Rock, and this exploration of the geological inspiration driving Michael K. Frith, one of the creators, is fascinating.
https://www.smithsonianmag.com/travel/these-caves-in-bermuda-inspired-80s-tv-show-fraggle-rock-180971647

Innovation (Health)

Firefighters assigned to the Camp Fire in California have a new way to help with the related stress thanks to a donation from the inventor of a massage tool he designed to help with PTSD after a training accident when an Army engineer.
https://www.sfchronicle.com/news/article/Camp-Fire-cops-firefighters-fighting-stress-turn-13693340.php

A Country Masquerade (Uncommon Lords and Ladies, Book 2)

Posted in Art, Music, Crafts, etc., Culture, Health, Inspirations, Interesting Links, Marketing, Reading | Leave a comment